7.five Another Korean short worth a watch. However, I don't like it as much as many others do. It is really good film-making, but the story just isn't really entertaining enough to make me fall for it as hard as many manage to have done.
“You say to the boy open your eyes / When he opens his eyes and sees the light / You make him cry out. / Declaring O Blue come forth / O Blue arise / O Blue ascend / O Blue come in / I am sitting with some friends in this café.”
The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath from the girls — who walk with limps and have barely learned to speak — being permitted to wander the streets and meet other children to the first time.
The outdated joke goes that it’s hard for just a cannibal to make friends, and Chook’s bloody smile of the Western delivers the punchline with pieces of David Arquette and Jeremy Davies stuck between its teeth, twisting the colonialist mindset behind Manifest Destiny into a bonafide meal plan that it sums up with its opening epipgrah and then slathers all over the screen until everyone gets their just desserts: “Eat me.” —DE
The timelessness of “Central Station,” a film that betrays Not one of the mawkishness that elevated so much on the ’90s middlebrow feel-good fare, is usually owed to how deftly the script earns the bond that varieties between its mismatched characters, And just how lovingly it tends towards the vulnerabilities they expose in each other. The benefit with which Dora rests her head on Josué’s lap within a poignant scene implies that whatever twist of destiny brought this pair together under such trying circumstances was looking out for them both.
“Rumble while in the Bronx” may very well be established in New York (although hilariously shot in Vancouver), but this Golden Harvest production is Hong Kong towards the bone, as well as the 10 years’s single giddiest display of why Jackie Chan deserves his Recurrent comparisons to Buster Keaton. While the story is whatever — Chan plays a Hong Kong cop who comes to the Big Apple for his uncle’s wedding and soon finds himself embroiled in some mob drama about stolen diamonds — the charisma is off the charts, the jokes join with the power of spinning windmill kicks, and the Looney Tunes-like action sequences are more spectacular than just about anything that had ever been shot on these shores.
Seen today, steeped in nostalgia for your freedoms of a pre-handover Hong Kong, “Chungking Express” still feels new. The film’s lasting power is especially impressive in the face of such a fast-paced world; a world in which nothing could be more precious than a concrete offer from someone willing to share the same future with you — even if that offer is prepared with a napkin. —DE
“I wasn’t trying to see the future,” Tarr said. “I was just watching my life and showing the world from my point of view. Of course, you can see many shit forever; it is possible to see humiliation in any way times; you are able to always see a bit of this destruction. All of the people can be so Silly, choosing this kind of populist shit. They are destroying themselves along with the world — they usually do not think about their grandchildren.
Jane Campion doesn’t set much stock in labels — seemingly preferring to adhere to the outdated Groucho Marx chestnut, “I don’t want to belong to any club that will settle for people like me as being a member” — and it has put in her career pursuing work that xxcx speaks to her sensibilities. Inquire Campion for her own views of feminism, and you’re likely to have an answer like the just one she gave fellow filmmaker Katherine Dieckmann inside a chat for Interview Journal back in 1992, when she was still working on “The Piano” (then known as “The Piano Lesson”): “I don’t belong to any clubs, And that i dislike club mentality of any kind, even feminism—although I xxxvedios do relate for the purpose and point of feminism.”
Plus the uncomfortable truth behind the success of “Schindler’s List” — as both a movie and as an legendary representation of the Shoah — is that it’s every inch as entertaining as being the likes of “E.T.” or “Raiders from the Lost Ark,” even despite the solemnity of gay fetish porn boots bryan slater caught jerking its subject matter. It’s similarly rewatchable also, in parts, which this critic has struggled with since the film became a regular fixture on cable Television set. It finds Spielberg at the absolute peak of his powers; the slow-boiling denialism in the story’s first half makes “Jaws” feel like daily at the beach, the “Liquidation of your Ghetto” pulses with a fluidity that puts any on the director’s previous setpieces to shame, and characters like Ben Kingsley’s Itzhak Stern and Ralph Fiennes’ Amon Göth allow for the kind of emotional swings that less genocidal melodramas could never hope to afford.
Along with giving many viewers a first glimpse into urban queer tradition, this landmark documentary about New York City’s underground ball scene pushed the Black and Latino gay communities to your forefront for the first time.
Steven Soderbergh is obsessed with money, lying, and non-linear storytelling, so it was just a matter of time before he bought around to adapting an Elmore Leonard novel. And lo, in the year of our lord 1998, that’s just what Soderbergh did, As well as in the procedure entered a fresh section of his career with his first studio assignment. The surface is cool and breezy, while the film’s soul is about regret in addition to a yearning for something more out of life.
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Claire Denis’ “Beau Travail” unfurls coyly, revealing one indelible image after another without ever fully giving itself away. Released for the tail conclude in the millennium (late and liminal enough that people have long mistaken it for a product from the 21st century), the French auteur’s sixth feature demonstrated her masterful power to assemble a story by her very own fractured design, her work often composed thothub by piecing together pornwild seemingly meaningless fragments like a dream you’re trying to recollect the next day.